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by Bishara, Amahl A.Buy New
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Summary
Author Biography
Table of Contents
List of Illustrations | p. xi |
Acknowledgments | p. xiii |
A Note on Transliteration | p. xvii |
Introduction | p. 1 |
Does a Checkpoint Have Two Sides? | p. 29 |
Balanced Objectivity and Accumulated Authorship | p. 34 |
Words That Fly in the Air | p. 68 |
Arming State Speech, Constraining Journalists' Work | p. 73 |
An Innocent Evening Out? Representing Cultural Life and Resistance | p. 102 |
Working from Home: Disinterest and the Scope of the Political | p. 106 |
A Reliable Source? Prison Bars as Sound Barrier | p. 131 |
The Embodied and Up-Close Work of Journalism | p. 136 |
Locating the Foreign Correspondent at a Demonstration | p. 162 |
The Separation Wall as Stage for Refugee Identities | p. 167 |
Parsing "Chaos" | p. 197 |
Watching U.S. Television from the Palestinian Street | p. 202 |
A Discerning Representation of More Than "Two Sides" | p. 229 |
Conclusion. Framing Graffiti: Voice, Materiality, and Violence | p. 233 |
Notes | p. 259 |
Works Cited | p. 291 |
Index | p. 315 |
Table of Contents provided by Ingram. All Rights Reserved. |
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