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Summary
Author Biography
Table of Contents
The Cup of Humanity | p. 1 |
Tea ennobled into Teaism, a religion of aestheticism, the adoration of the beautiful among everyday facts | |
Teaism developed among both nobles and peasants | |
The mutual misunderstanding of the New World and the Old | |
The Worship of Tea in the West | |
Early records of Tea in European writing | |
The Taoists' version of the combat between Spirit and Matter | |
The modern struggle for wealth and power | |
The Schools of Tea | p. 17 |
The three stages of the evolution of Tea | |
The Boiled Tea, the Whipped Tea, and the Steeped Tea, representative of the Tang, the Sung, and the Ming dynasties of China | |
Luwuh, the first apostle of Tea | |
The Tea-ideals of the three dynasties | |
To the latter-day Chinese Tea is a delicious beverage, but not an ideal | |
In Japan Tea is a religion of the art of life | |
Taoism and Zennism | p. 33 |
The connection of Zennism with Tea | |
Taoism, and its successor Zennism, represent the individualistic trend of the Southern Chinese mind | |
Taoism accepts the mundane and tries to find beauty in our world of woe and worry | |
Zennism emphasizes the teachings of Taoism | |
Through consecrated meditation may be attained supreme self-realisation | |
Zennism, like Taoism, is the worship of Relativity | |
Ideal of Teaism a result of the Zen conception of greatness in the smallest incidents of life | |
Taoism furnished the basis for aesthetic ideals, Zennism made them practical | |
The Tea-Room | p. 51 |
The tea-room does not pretend to be other than a mere cottage | |
The simplicity and purism of the tea-room | |
Symbolism in the construction of the tea-room | |
The system of its decoration | |
A sanctuary from the vexations of the outer world | |
Art Appreciation | p. 73 |
Sympathetic communion of minds necessary for art appreciation | |
The secret understanding between the master and ourselves | |
The value of suggestion | |
Art is of value only to the extent that it speaks to us | |
No real feeling in much of the apparent enthusiasm to-day | |
Confusion of art with archaeology | |
We are destroying art in destroying the beautiful in life | |
Flowers | p. 87 |
Flowers our constant friends | |
The Master of Flowers | |
The waste of Flowers among Western communities | |
The art of floriculture in the East | |
The Tea-Masters and the Cult of Flowers | |
The Art of Flower Arrangement | |
The adoration of the Flower for its own sake | |
The Flower-Masters | |
Two main branches of the schools of Flower Arrangement, the Formalistic and the Naturalesque | |
Tea-Masters | p. 107 |
Real appreciation of art only possible to those who make of it a living influence | |
Contributions of the Tea-Masters to art | |
Their influence on the conduct of life | |
The Last Tea of Rikiu | |
Table of Contents provided by Ingram. All Rights Reserved. |
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