Foreword |
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ix | |
Acknowledgments |
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xi | |
PART 1: CLASSICAL |
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Democracy and the Greek Ideal |
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1 | (13) |
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Introduction to The Greek Miracle: Classical Sculpture from the Dawn of Democracy |
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2 | (4) |
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The Masterpiece Road Show |
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6 | (4) |
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Introduction to The Reign of the Phallus |
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10 | (4) |
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The Parthenon and Patrimony |
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14 | (15) |
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15 | (6) |
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1986 Speech to the Oxford Union |
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21 | (8) |
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29 | (8) |
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30 | (2) |
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32 | (5) |
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37 | (15) |
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How to Read a Roman Portrait |
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39 | (6) |
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Political Images: Public Relations, Advertising, and Propaganda |
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45 | (7) |
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PART 2: MEDIEVAL |
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52 | (13) |
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53 | (3) |
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In the Margins of the Cathedral |
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56 | (9) |
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Iconoclasm, Vandalism, and the Fear of Images |
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65 | (14) |
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66 | (9) |
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Disputed Madonna Painting In Brooklyn Is Defaced |
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75 | (4) |
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79 | (13) |
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81 | (3) |
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Introduction: Iconography, Texts, and Audiences |
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84 | (6) |
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Prologue to Worldly Goods |
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90 | (2) |
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Anti-Semitism and Stereotypes |
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92 | (14) |
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Anti-Semitism in Medieval Art |
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93 | (6) |
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Introduction to White on Black: Images of Africa and Blacks in Western Popular Culture |
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99 | (7) |
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PART 3: RENAISSANCE AND BAROQUE |
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106 | (14) |
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Renaissance Images and Ideals |
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107 | (5) |
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Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture |
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112 | (8) |
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120 | (12) |
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121 | (6) |
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127 | (5) |
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Viewing Michelangelo's David |
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132 | (9) |
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The Male Nude: Identity and Denial |
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134 | (4) |
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Florence: The Renewed Republic and the Return of the Medici |
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138 | (3) |
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141 | (14) |
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Women and Art during the Renaissance |
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142 | (8) |
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Sexist Texts Boycotted: Interview with H.W. Janson |
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150 | (2) |
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The New Sexism: Liberating Art and Beauty |
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152 | (3) |
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Northern Art vs. Italian Art |
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155 | (13) |
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The Mean and Measure of All Things |
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156 | (5) |
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Art History and Its Exclusions: The Example of Dutch Art |
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161 | (7) |
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PART 4: MODERN |
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Gender and Representation |
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168 | (17) |
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Virility and Domination in Early Twentieth Century Vanguard Painting |
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171 | (4) |
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How Do Women Look? The Female Nude in the Work of Suzanne Valadon |
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175 | (10) |
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185 | (14) |
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186 | (4) |
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190 | (9) |
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199 | (8) |
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The Varnedoe Debacle: MOMA's New `Low' |
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200 | (4) |
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204 | (3) |
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207 | (14) |
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Introduction to Art of the Postmodern Era |
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208 | (7) |
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Excellence and Postexcellence |
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215 | (3) |
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Questions for Jeff Koons; Puppy Love |
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218 | (3) |
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PART 5: THE INSTITUTIONS OF ART |
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221 | (24) |
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Against the Male Flood: Censorship, Pornography, and Equality |
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222 | (4) |
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The Sex Panic and the Feminist Split |
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226 | (11) |
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The Female Nude: Pornography, Art, and Sexuality |
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237 | (8) |
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Public Funding for the Arts |
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245 | (9) |
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To Earn Subsidies, Must Art be Useful? Must It Be Sweet? |
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246 | (3) |
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What to do About the Arts? |
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249 | (5) |
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254 | (16) |
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255 | (6) |
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The Assault on the Museums |
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261 | (3) |
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The Divided House of the American Art Museum |
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264 | (6) |
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Culture Wars and the Canon |
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270 | (18) |
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The Multicultural Challenge |
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271 | (6) |
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277 | (5) |
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282 | (6) |
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288 | (15) |
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What Are They Doing to Art History? |
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289 | (6) |
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Introduction to Tenured Radicals |
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295 | (8) |
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Afterword |
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303 | |