Critical Perspectives on Art History

by ;
Edition: 1st
Format: Paperback
Pub. Date: 2001-08-17
Publisher(s): Pearson
List Price: $67.00

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Summary

Focusing on the dynamic connections between art history and real life, this introductory survey of Western art history introduces readers to the complexity of issues and approaches that characterize the discipline today in a unique,multi-perspectiveanthology that covers everything from the power of images to shape the way we know things, to the political and policy debates about the place of the arts in our society.Pairs short readings of contrasting views on specific issues and themes in art history, helping readers think critically about differences in interpretations and approaches, and realize that in our increasingly visual world, art history is a vital discipline that is closely tied to the most challenging debates in other disciplines and in society at largeincluding post-modernism, feminism, "political correctness" , multi-culturalism, and censorship. Features readings from many diverse contributors with different backgrounds and experiencesincluding critics, literary scholars, political figures, journalists, and art historians. Separates readings into classical, medieval, renaissance and baroque, and modern periods.For art historians and general readers interested in a contemporary and dynamic study of the history of Western art and visual studies.

Table of Contents

Foreword ix
Acknowledgments xi
PART 1: CLASSICAL
Democracy and the Greek Ideal
1(13)
Introduction to The Greek Miracle: Classical Sculpture from the Dawn of Democracy
2(4)
Nicholas Gage
The Masterpiece Road Show
6(4)
Robert Hughes
Introduction to The Reign of the Phallus
10(4)
Eva C. Keuls
The Parthenon and Patrimony
14(15)
Keeping our Marbles
15(6)
Gavin Stamp
1986 Speech to the Oxford Union
21(8)
Melina Mercouri
The Classical Tradition
29(8)
What is Classicism?
30(2)
Michael Greenhalgh
Classicism as Power
32(5)
Henri Zerner
Portraits and Politics
37(15)
How to Read a Roman Portrait
39(6)
Sheldon Nodelman
Political Images: Public Relations, Advertising, and Propaganda
45(7)
Ann Marie Seward Barry
PART 2: MEDIEVAL
The Gothic Cathedral
52(13)
The Meaning of Gothic
53(3)
James Snyder
In the Margins of the Cathedral
56(9)
Michael Camille
Iconoclasm, Vandalism, and the Fear of Images
65(14)
Idolatry and Iconoclasm
66(9)
David Freedberg
Disputed Madonna Painting In Brooklyn Is Defaced
75(4)
Robert D. McFadden
Iconography
79(13)
Jan van Eyck
81(3)
Erwin Panofsky
Introduction: Iconography, Texts, and Audiences
84(6)
Brendan Cassidy
Prologue to Worldly Goods
90(2)
Lisa Jardine
Anti-Semitism and Stereotypes
92(14)
Anti-Semitism in Medieval Art
93(6)
Henry Kraus
Introduction to White on Black: Images of Africa and Blacks in Western Popular Culture
99(7)
Jan Nederveen Pieterse
PART 3: RENAISSANCE AND BAROQUE
The Renaissance Portrait
106(14)
Renaissance Images and Ideals
107(5)
Bruce Cole
Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture
112(8)
Patricia Simons
The Female Nude
120(12)
The Naked and the Nude
121(6)
Kenneth Clark
Ways of Seeing
127(5)
John Berger
Viewing Michelangelo's David
132(9)
The Male Nude: Identity and Denial
134(4)
Richard Leppert
Florence: The Renewed Republic and the Return of the Medici
138(3)
John T. Paoletti
Gary M. Radke
Women Artists
141(14)
Women and Art during the Renaissance
142(8)
Paola Tinagli
Sexist Texts Boycotted: Interview with H.W. Janson
150(2)
Eleanor Dickinson
The New Sexism: Liberating Art and Beauty
152(3)
Camille Paglia
Northern Art vs. Italian Art
155(13)
The Mean and Measure of All Things
156(5)
Martin Kemp
Art History and Its Exclusions: The Example of Dutch Art
161(7)
Svetlana Alpers
PART 4: MODERN
Gender and Representation
168(17)
Virility and Domination in Early Twentieth Century Vanguard Painting
171(4)
Carol Duncan
How Do Women Look? The Female Nude in the Work of Suzanne Valadon
175(10)
Rosemary Betterton
Modernist Architecture
185(14)
Social Imagination
186(4)
Sigfried Giedion
Trouble in Utopia
190(9)
Robert Hughes
Art and Popular Culture
199(8)
The Varnedoe Debacle: MOMA's New `Low'
200(4)
Hilton Kramer
Art and Culture Today
204(3)
Mary Anne Staniszewski
Postmodernist Art
207(14)
Introduction to Art of the Postmodern Era
208(7)
Irving Sandler
Excellence and Postexcellence
215(3)
Darby Bannard
Questions for Jeff Koons; Puppy Love
218(3)
Deborah Solomon
PART 5: THE INSTITUTIONS OF ART
Censorship
221(24)
Against the Male Flood: Censorship, Pornography, and Equality
222(4)
Andrea Dworkin
The Sex Panic and the Feminist Split
226(11)
Nadine Strossen
The Female Nude: Pornography, Art, and Sexuality
237(8)
Lynda Nead
Public Funding for the Arts
245(9)
To Earn Subsidies, Must Art be Useful? Must It Be Sweet?
246(3)
Paul Goldberger
What to do About the Arts?
249(5)
Joseph Epstein
The Museum
254(16)
The Art Museum as Ritual
255(6)
Carol Duncan
The Assault on the Museums
261(3)
Hilton Kramer
The Divided House of the American Art Museum
264(6)
Neil Harris
Culture Wars and the Canon
270(18)
The Multicultural Challenge
271(6)
Dinesh D'Souza
What Is the Canon?
277(5)
Gill Perry
Mapping
282(6)
Lucy Lippard
The Art History Course
288(15)
What Are They Doing to Art History?
289(6)
Scott Heller
Introduction to Tenured Radicals
295(8)
Roger Kimball
Afterword 303

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