Acknowledgments |
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3 | (1) |
List of Illustrations |
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4 | (1) |
Introduction |
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5 | (6) |
Chapter 1 DIAGNOSING VOCAL FAULTS |
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11 | (9) |
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11 | (1) |
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IDENTIFYING VOCAL PROBLEMS |
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12 | (2) |
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DIAGNOSIS IN THE TEACHING STUDIO |
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14 | (2) |
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THE CLASSIFICATION OF VOCAL FAULTS |
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16 | (1) |
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17 | (3) |
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18 | (2) |
Chapter 2 A BASIC APPROACH TO VOCAL SOUND |
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20 | (13) |
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20 | (5) |
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CHARACTERISTICS OF A MUSICAL TONE |
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21 | (4) |
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THE NATURE OF MUSICAL INSTRUMENTS |
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25 | (1) |
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THE NATURE OF VOCAL SOUND |
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26 | (7) |
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THE CLASSIFICATION OF VOCAL SOUNDS |
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29 | (1) |
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SEMANTIC PROBLEMS IN DESCRIBING VOCAL SOUND |
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30 | (3) |
Chapter 3 POSTURE |
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33 | (13) |
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A RATIONALE FOR GOOD POSTURE |
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33 | (1) |
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34 | (2) |
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A DESCRIPTION OF GOOD POSTURE |
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36 | (4) |
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39 | (1) |
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FAULTS RELATED TO POSTURE |
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40 | (6) |
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40 | (2) |
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42 | (4) |
Chapter 4 BREATHING AND SUPPORT |
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46 | (19) |
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46 | (2) |
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48 | (5) |
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48 | (2) |
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50 | (1) |
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51 | (1) |
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52 | (1) |
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53 | (2) |
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SUMMARY OF BREATHING CONCEPTS |
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55 | (1) |
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FAULTS RELATED TO BREATHING AND SUPPORT |
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56 | (1) |
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FOUR INCORRECT METHODS OF BREATHING |
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56 | (4) |
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OTHER BREATHING AND SUPPORT FAULTS |
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60 | (5) |
Chapter 5 PHONATION |
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65 | (28) |
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THE MECHANISM OF THE LARYNX |
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65 | (1) |
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SKELETAL FRAMEWORK OF THE LARYNX |
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66 | (1) |
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MUSCULATURE OF THE LARYNX |
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67 | (9) |
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INTRINSIC MUSCLES OF THE LARYNX |
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70 | (4) |
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EXTRINSIC MUSCLES OF THE LARYNX |
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74 | (2) |
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76 | (1) |
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CHARACTERISTICS OF GOOD VOCAL SOUND |
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77 | (5) |
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THREE PHASES OF A MUSICAL TONE |
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78 | (4) |
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FAULTS RELATED TO PHONATION |
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82 | (11) |
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82 | (1) |
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CORRECTIVE PROCEDURES FOR HYPOFUNCTIONAL PHONATION |
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82 | (4) |
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86 | (1) |
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CORRECTIVE PROCEDURES FOR FORCED BREATHINESS |
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87 | (1) |
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HYPERFUNCTIONAL PHONATION |
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87 | (2) |
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CORRECTIVE PROCEDURES FOR HYPERFUNCTIONAL PHONATION |
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89 | (4) |
Chapter 6 REGISTRATION |
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93 | (14) |
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93 | (1) |
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HOW MANY REGISTERS ARE THERE? |
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93 | (1) |
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94 | (2) |
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96 | (3) |
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99 | (6) |
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USES OF THE FALSETTO REGISTER |
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101 | (4) |
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105 | (2) |
Chapter 7 VOICE CLASSIFICATION |
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107 | (13) |
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A RATIONALE FOR VOICE CLASSIFICATION |
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107 | (3) |
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CRITERIA FOR ESTABLISHING VOICE CLASSIFICATION |
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110 | (5) |
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110 | (1) |
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111 | (1) |
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112 | (1) |
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113 | (1) |
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114 | (1) |
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A QUICK CLASSIFICATION SYSTEM FOR CHORAL AUDITIONS |
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115 | (3) |
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DANGERS OF MISCLASSIFICATION |
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118 | (2) |
Chapter 8 RESONATION |
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120 | (23) |
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120 | (3) |
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FACTORS AFFECTING RESONATORS |
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121 | (2) |
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123 | (6) |
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123 | (1) |
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123 | (1) |
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124 | (1) |
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125 | (1) |
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126 | (1) |
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127 | (1) |
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128 | (1) |
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129 | (5) |
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THE POSITION OF THE LARYNX |
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129 | (1) |
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130 | (1) |
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THE POSITION OF THE SOFT PALATE |
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131 | (1) |
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132 | (1) |
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133 | (1) |
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FAULTS RELATED TO RESONATION |
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134 | (9) |
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FAULTS RELATED TO NASAL RESONANCE |
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134 | (1) |
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CORRECTIVE PROCEDURES FOR POSTNASALITY |
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135 | (2) |
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CORRECTIVE PROCEDURES FOR FORCED NASALITY |
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137 | (1) |
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FAULTS RELATED TO TONE COLOR |
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138 | (1) |
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CORRECTIVE PROCEDURES FOR SOUNDS THAT ARE TOO BRIGHT |
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139 | (2) |
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CORRECTIVE PROCEDURES FOR SOUNDS THAT ARE TOO DARK |
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141 | (2) |
Chapter 9 ARTICULATION |
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143 | (23) |
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143 | (7) |
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143 | (2) |
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145 | (2) |
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THE PROBLEM OF PHONEMIC IDENTITY |
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147 | (3) |
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ESTABLISHING GOOD ARTICULATORY HABITS |
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150 | (10) |
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151 | (4) |
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THE ARTICULATION OF CONSONANTS |
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155 | (2) |
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THE ARTICULATION OF VOWELS |
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157 | (2) |
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159 | (1) |
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FAULTS RELATED TO ARTICULATION |
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160 | (6) |
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FAULTS RELATED TO THE ARTICULATORS |
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161 | (2) |
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163 | (2) |
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165 | (1) |
Chapter 10 THE SPEAJUNG VOICE |
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166 | (12) |
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COMPARISON OF SPEAKING AND SINGING |
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166 | (1) |
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167 | (2) |
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FINDING THE HABITUAL SPEECH LEVEL |
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169 | (1) |
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FINDING THE OPTIMAL PITCH LEVEL |
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170 | (3) |
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173 | (1) |
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173 | (2) |
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FAULTS RELATED TO QUANTITY |
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175 | (1) |
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176 | (2) |
Chapter 11 COORDINATION |
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178 | (25) |
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178 | (1) |
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178 | (1) |
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179 | (2) |
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181 | (5) |
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182 | (1) |
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183 | (1) |
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183 | (2) |
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185 | (1) |
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186 | (10) |
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186 | (3) |
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189 | (4) |
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193 | (3) |
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196 | (7) |
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FAULTS RELATED TO VIBRATO |
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197 | (2) |
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CORRECTIVE PROCEDURES FOR VIBRATO FAULTS |
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199 | (4) |
Appendix 1: Audition Evaluation Checklist |
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203 | (2) |
Appendix 2: Phonetic Symbols Used in this Book |
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205 | (1) |
Bibliography |
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206 | (2) |
Index |
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208 | |