The book opens with an examination of the basics of type and colour (with a large section of samples for quick reference). It then explores a more experimental approach to the use of colour and type, with the author detailing traditional typographic rules and investigating ways of breaking those rules to achieve new and innovative design. A wide variety of academic and professional case studies reveal the methods and rationale behind the work profiled. A useful reference book for all graphic designers, Digital Type and Colour provides a fresh set of possibilities for screen work.
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Summary
Author Biography
Table of Contents
Introduction | 7 | (3) | |||
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10 | (8) | |||
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12 | (2) | |||
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14 | (4) | |||
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18 | (12) | |||
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20 | (1) | |||
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21 | (4) | |||
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25 | (1) | |||
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26 | (1) | |||
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27 | (1) | |||
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28 | (2) | |||
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30 | (10) | |||
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32 | (7) | |||
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39 | (1) | |||
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40 | (108) | |||
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42 | (6) | |||
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48 | (6) | |||
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54 | (30) | |||
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84 | (2) | |||
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86 | (62) | |||
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94 | (52) | |||
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146 | (2) | |||
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148 | (14) | |||
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162 | (36) | |||
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198 | (38) | |||
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236 | (16) | |||
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252 | (34) | |||
Designers' addresses | 286 | (2) | |||
Acknowledgements | 288 |
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