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Hong Kong was a key battlefield in Asia's cultural cold war. After 1948-1949, an influx of filmmakers, writers, and intellectuals from mainland China transformed British Hong Kong into a hub for mass entertainment and popular publications. While there was no organized movement for independence, largely because of its location directly next to Mao's China, Hong Kong was central in the cultural contest between Communist China, Nationalist Taiwan, and the United States.
Hong Kong Media and Asia's Cold War discusses how China, Taiwan, and the U.S. fought to mobilize Hong Kong cinema and print media to sway ethnic Chinese in Southeast Asia and across the world. Central to this propaganda and psychological warfare was the emigre media industry. This period was the “golden age” of Mandarin cinema and popular culture. Throughout the 1967 Riots and the 1970s, the emergence of a new, local-born generation challenged and reshaped the Cold War networks of émigré cultural production, contributing to the gradual decline of Hong Kong's cultural Cold War. Through untapped archival materials, contemporary sources, and numerous interviews with filmmakers, magazine editors, and student activists, Po-Shek Fu explores how global conflicts were localized and intertwined with myriad local historical experiences and cultural formation.
Hong Kong Media and Asia's Cold War
by Fu, Po-ShekFormat: Paperback
Pub. Date: 2023-03-01
Publisher(s): Oxford University Press
List Price: $39.46
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Summary
Author Biography
Po-Shek Fu is Professor of History at the University of Illinois at Urbana-Champaign. His work focuses on US-China cultural relations, Chinese-language cinemas, and war and culture interactions. He is the author of China Forever: Shaw Brothers and Diasporic Cinema and Between Shanghai and Hong Kong: The Politics of Chinese Cinemas, and co-editor of The Cold War and Asian Cinemas.
Table of Contents
Preface
Chapter One
East Meets West: Crossroads in The Cold War
Chapter Two
Third Force in Exile: Chinese Student Weekly and Cultural Cold War, 1952-1960
Chapter Three
American Cinematic Intervention: Asia Pictures and The Asia Foundation
Chapter Four
Making “China” in Hong Kong: The Shaw Brothers Movietown
Chapter Five
Epilogue: “My City” In Flux
Acknowledgements
Notes
Bibliography
Filmography
Index
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