Incarceration Nations

Baz Dreisinger travels behind bars in nine countries to rethink the state of justice in a global context
 
Beginning in Africa and ending in Europe, Incarceration Nations is a first-person odyssey through the prison systems of the world. Professor, journalist, and founder of the Prison-to-College-Pipeline, Dreisinger looks into the human stories of incarcerated men and women and those who imprison them, creating a jarring, poignant view of a world to which most are denied access, and a rethinking of one of America’s most far-reaching global exports: the modern prison complex.

From serving as a restorative justice facilitator in a notorious South African prison and working with genocide survivors in Rwanda, to launching a creative writing class in an overcrowded Ugandan prison and coordinating a drama workshop for women prisoners in Thailand, Dreisinger examines the world behind bars with equal parts empathy and intellect. She journeys to Jamaica to visit a prison music program, to Singapore to learn about approaches to prisoner reentry, to Australia to grapple with the bottom line of private prisons, to a federal supermax in Brazil to confront the horrors of solitary confinement, and finally to the so-called model prisons of Norway. Incarceration Nations concludes with climactic lessons about the past, present, and future of justice.

Baz Dreisinger is an Associate Professor in the English Department at John Jay College of Criminal Justice, City University of New York, and the founder and Academic Director of the Prison-to-College Pipeline program (P2CP), which offers credit-bearing college courses and reentry planning to incarcerated men. She is also a reporter on popular culture, the Caribbean, world music, and race-related issues for the New York Times, Los Angeles Times, Wall Street Journal, and NPR, among others, and a co-producer and co-writer of the documentaries Black & Blue: Legends of the Hip-Hop Cop and Rhyme & Punishment. She is the author of Near Black: White to Black Passing in American Culture (2008).