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Summary
Table of Contents
The Basics so You Don't Get Headaches Later: Pixels, Color Spaces, and the Universe | |
Answers to the Most Important Imaging Questions | |
What Is a Pixel? Bitmap and Vector Graphics | |
Working in Color Modes | |
Summary | |
Producing Awesome Images from the Start | |
A Brief Diversion into Fonts | |
Creating a Layered Image | |
Summary | |
The Critically Important Color and Gamma Calibration Chapter | |
Understanding Photoshop's Color Management System (CMS) | |
Coming to Terms with Color Management | |
Preparing to Create a Custom Profile | |
Creating an ICC Profile for a Monitor | |
Setting Photoshop's Color Management Defaults | |
The Color Settings Dialog Box, or Laying down the Rules | |
Choosing Between Assigning and Converting to Profile | |
Putting Theory into Practice | |
Soft-Proofing, or Seeing Onscreen What an Image Will Look Like When It's Printed | |
Summary | |
Resources | |
Setting Preferences, Customizing, and Optimizing Photoshop CS | |
Accessing Photoshop's Preferences Settings | |
General Preferences | |
File Handling Preferences | |
Setting Display & Cursors Preferences | |
Understanding How to Choose Transparency & Gamut Settings | |
Setting Units & Rulers Preferences | |
Checking Out the Guides, Grid & Slices Preferences | |
Getting Some Control Over Screen Appearances of Elements! Optimizing Photoshop's Performance with the Plug-Ins & Scratch Disks and Memory & Image Cache Preferences Settings | |
More Choices and More Control with the Preset Manager | |
Who Wants So Many Palettes in a Group? Customizing the Shapes Feature | |
Exploring Near-Infinite Brush Variations and Creating Custom Brushes | |
Customizing Layers | |
Using the Tool Presets Palette | |
Using Actions to Add Keyboard Shortcuts | |
Setting Selection and Mask Modes | |
Spell Checking and Photoshop | |
Customizing Your Workspace with the Palette Well | |
Summary | |
A Hands-on Reference for Creating and Editing Photoshop Images | |
Layers and Channels | |
Examining the Flexibility of Layers | |
Layer Sets | |
Using the Layer Mask Feature | |
Imagine Color Correction by Painting It On | |
Shapes and Clipping Paths | |
Channels: A Definition and the Keys to Mastering Them | |
Alpha Channels: Storage Space for Special Information | |
Summary | |
Harnessing the Power of Selections | |
Basic Selections 101 with Lab | |
Introducing Marquee Tools | |
Rounding Up the Lasso Tools | |
Let's Lasso Somebody | |
Magic Wand Tool Magic | |
Getting the Best Selections (in the Least Amount of Time). Saving and Loading Selections | |
Replacing an Overcast Sky | |
Making a Quick Panorama Using Selections | |
Summary | |
Using the Pen Tools | |
Paths, as in Those Things in Illustrator and CorelDRAW | |
The Anatomy of a Path | |
The Basic Path Tools | |
The Pen Tool and Special Effects | |
Taking Paths to the Max | |
Summary | |
Filters | |
Photoshop's Native Filters | |
Exploring the World of Third-Party Filters | |
Summary | |
Image Acquisition Basics | |
Loading Digital Images into Photoshop CS from Digital Cameras, Photo CDs, Scanners, and More | |
Bringing Images from a Digital Camera to a Computer | |
Memory Cards | |
Connecting Interfaces and Card Readers | |
Transferring the Photos to the Computer | |
Combining the Power of Film and Digital with Photo CD | |
Table of Contents provided by Publisher. All Rights Reserved. |
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