The Institute of American Indian Arts: Modernism and U.S. Indian Policy

by ;
Format: Paperback
Pub. Date: 2000-03-01
Publisher(s): Univ of New Mexico Pr
List Price: $22.95

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Summary

The Institute of American Indian Arts in Santa Fe has been widely credited with revolutionizing and revitalizing modern Indian painting. This volume, the first book-length study of the IAIA, examines the history, patronage, and ideology of the Institute. Hailed as a success story since it replaced the Santa Fe Indian School's "Studio" in 1962, the IAIA met with enthusiastic response from the popular press, the federal government, and the international arts community. Many of the most successful Indian artists were connected with the IAIA either as faculty or students, including Fritz Scholder, T. C. Cannon, Allan Houser, and Dan Namingha, to name a few.

Until now there has been a large void in critical writing on this influential institution and on the role of the federal government in mainstreaming Native peoples at a time when Indian art was coming to be viewed as uniquely American. This book provides an important contribution to current dialogues regarding the role of education in cultural change, government patronage of the arts, and Native artistic auton

Author Biography

Gregory Cajete teaches in the College of Education at the University of New Mexico and is a member of the Santa Clara Pueblo.

Table of Contents

List of Illustrations
viii
Acknowledgments ix
Foreword xi
Gregory Cajete
Introduction 1(6)
The 1959 Rockefeller Directions in Indian Art Conference
7(34)
The Southwestern Indian Art Project, 1960-1963
41(24)
The Institute of American Indian Arts: A Tumultuous Gestation, 1960-1962
65(38)
A Convergence of Ideologies, 1962-1968
103(48)
Conclusions 151(30)
Selected Bibliography 181(10)
Index 191

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