Introduction |
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1 | (4) |
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Responding to the French Revolution: Williams's Julia and Burney's The Wanderer |
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5 | (14) |
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Having Her Cake and Eating, Too: Ambivalence, Popularity, and the Psychosocial Implications of Ann Radcliffe's Fiction |
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19 | (12) |
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The Preceptor as Fiend: Radcliffe's Psychology of the Gothic |
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31 | (14) |
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The Treatment of Women in the Novels of Charlotte Turner Smith |
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45 | (8) |
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53 | (8) |
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Susan Ferrier's Allusions: Comedy, Morality, and the Presence of Milton |
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61 | (12) |
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The Limits of Liberal Feminism in Maria Edgeworth's Belinda |
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73 | (10) |
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A Reading of Maria Edgeworth's Castle Rackrent |
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83 | (14) |
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Mary Wollestonecraft and Mary Shelley: Ideological Affinities |
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97 | (12) |
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The Alienation of Family in Mary Shelley's Frankenstein |
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109 | (12) |
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Mary Shelley, Shakespeare, and the Romantic Theatre |
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121 | (14) |
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Mary Shelley and the Romance of Science |
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135 | (12) |
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The Uses of Adventure: The Moral and Evangelical Robinsonnades of Agnes Strickland, Barbara Hofland and Ann Fraser Tytler |
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147 | (12) |
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Representative Chronology of English Novels by Women of the Romantic Period |
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159 | (10) |
Selected Bibliography |
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169 | (2) |
Index |
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171 | (4) |
About the Contributors |
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175 | |