
Looking at Movies An Introduction to Film
by Barsam, RichardRent Textbook
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Summary
Table of Contents
What Is a Movie? | |
Learning Objectives | |
Looking at Movies | |
Form and Content | |
Form and Expectations | |
Patterns | |
Principles of Film Form | |
Movies Manipulate Space and Time in Unique Ways | |
Movies Depend on Light | |
Photography | |
Series Photography | |
Motion Picture Photography | |
Movies Provide an Illusion of Movement | |
Realism and Antirealism | |
Verisimilitude | |
Cinematic Language | |
Types of Movies | |
Narrative Films | |
Genre | |
Nonfiction Films | |
Animated Films | |
Experimental Films | |
Summary: What Is a Movie? | |
Analyzing Movies | |
Screening Checklist: What Is a Movie? | |
Questions for Review | |
Movies Described or Illustrated in This Chapter | |
Narrative | |
Learning Objectives | |
What Is Narrative? | |
The Screenwriter | |
Evolution of a Typical Screenplay | |
Elements of Narrative | |
Story and Plot | |
Order | |
Events: Hubs and Satellites | |
Duration | |
Suspense Versus Surprise | |
Repetition | |
Characters | |
Setting | |
Scope | |
Narration and Narrators | |
Looking at Narrative: John Ford 's Stagecoach | |
Story | |
Plot | |
Order | |
Diegetic and Nondiegetic Elements | |
Hubs and Satellites | |
Duration | |
Suspense | |
Repetition | |
Characters | |
Setting | |
Scope | |
Narration | |
Analyzing Narrative | |
Screening Checklist: Narrative | |
Questions for Review | |
Movies Described or Illustrated in This Chapter | |
Mise-en-Scène | |
Learning Objectives | |
What Is Mise-en-Scène? | |
Design | |
The Production Designer | |
Elements of Design | |
Setting, Décor, and Properties | |
Lighting | |
Costume, Makeup, and Hairstyle | |
International Styles of Design | |
Composition | |
Framing: What We See on the Screen | |
Onscreen and Offscreen Space | |
Open and Closed Framing | |
Kinesis: What Moves on the Screen | |
Movement of Figures Within the Frame | |
Looking at Mise-en-Scène | |
Tim Burton 's Sleepy Hollow | |
Sam Mendes 's American Beauty | |
Michael Almereyda 's Hamlet | |
Analyzing Mise-en-Scène | |
Screening Checklist: Mise-en-Scène | |
Questions for Review | |
Movies Described or Illustrated in This Chapter | |
Cinematography | |
Learning Objectives | |
What Is Cinematography? | |
The Director of Photography | |
Cinematographic Properties of the Shot | |
Film Stock | |
Black and White | |
Color | |
Lighting | |
Source | |
Quality | |
Direction | |
Style | |
Lenses | |
Framing of the Shot | |
Proximity to the Camera | |
Depth | |
Camera Angle and Height | |
Eye Level | |
High Angle | |
Low Angle | |
Dutch Angle | |
Aerial View | |
Scale | |
Camera Movement | |
Pan Shot | |
Tilt Shot | |
Dolly Shot | |
Zoom | |
Crane Shot | |
Handheld Camera | |
Steadicam | |
Framing and Point of View | |
Speed and Length of the Shot | |
Special Effects | |
In-Camera, Mechanical, and Laboratory Effects | |
Computer-Generated Imagery | |
Analyzing Cinematography | |
Screening Checklist: Cinematography | |
Questions for Review | |
Movie | |
Table of Contents provided by Publisher. All Rights Reserved. |
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