The Oxford Handbook of Social Justice in Music Education

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Edition: Reprint
Format: Paperback
Pub. Date: 2018-06-01
Publisher(s): Oxford University Press
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Author Biography


Cathy Benedict is Assistant Professor and Assistant Director of Research of Music Education at the Don Wright Faculty of Music, Western University, Canada.

Patrick Schmidt is Associate Professor and Chair of Music Education at the Don Wright Faculty of Music, Western University, Canada.

Gary Spruce is Senior Lecturer in Music Education at The Open University, United Kingdom.

Paul Woodford is Professor of Music Education at the Don Wright Faculty of Music, Western University, Canada.

Table of Contents


Preface
Why Social Justice and Music Education?
Editors

Section I. Understanding Social Justice in Music Education Conceptually, Historically, and Politically
Introduction-From Pioneers to New Frameworks. Section Editor, Paul Woodford

1. Intersecting Social Justices and Music Education
Estelle Jorgensen, Indiana University, United States

2. Understanding Social Justice from the Perspective of Music Education History
Marie McCarthy, University of Michigan, United States

3. The Ethics of Policy: Why a Social Justice Vision of Music Education Requires a Commitment to Policy Thought
Patrick Schmidt, Florida International University, United States

4. Facing the Music: Pursuing Social Justice Through Music Education in a Neoliberal World
Stephanie Horsley, Western University, Canada

5. Educational Policy Reforms and the Politics of Music Teacher Education
Gabriel Rusinek, Complutense University of Madrid, & José Luis Aróstegui,University of Granada, Spain

6. The Promotion of Multiple Citizenships in China's Music Education
Wai-Chung Ho, Hong Kong Baptist University, & Wing-Wah Law, The University of Hong Kong

7. What Did You Learn in School Today? Music Education, Democracy, and Social Justice
Joel Westheimer, University of Ottawa, Canada

Section II. Reclaiming Difference in Music Education
Introduction-Beyond Toleration: Facing the Other. Section Editor, Cathy Benedict

8. Disjunctured Feminisms: Emerging Feminisms in Music Education
Roberta Lamb, Queens University, Canada, & Niyati Dhokai

9. A Jazz Funeral in Music Education
Elizabeth Gould, University of Toronto, Canada

10. The Space Between Worlds: Music Education and Latino Children
Jacqueline Kelly-McHale, DePaul University, United States, & Carlos Abril, University of Miami, United States

11. Music, Social Justice, and Social Inclusion: The Role of Collaborative
Music Activities in Supporting Young Refugees and Newly Arrived Immigrants in Australia
Kathryn Marsh, Sydney University, Australia

12. Hidden in Plain Sight: Race and Racism in Music Education
Deborah Bradley, University of Wisconsin-Madison, United States

13. Ableism and Social Justice: Rethinking Disability in Music Education
Alice-Ann Darrow, Florida State University, United States

14. Gender and Sexual Diversity Challenges (for Socially Just) Music Education
Louis S. Bergonzi, University of Illinois, United States

15. Beyond Toleration-Facing the Other
Richard Matthews, King's University College, Canada

Section III. Epistemological Shifts and Just Practices
Introduction-Socializing the Value of Equity. Section Editor, Patrick Schmidt

16. "What do we think we know?"
Cathy Benedict, Florida International University, United States

17. Multiculturalism and Social Justice: Complementary Movements for Education in and Through Music
Christopher Roberts, University of Washington, United States & Patricia S. Campbell

18. Music Education, Social Justice, and the 'Student Voice': Addressing Student Alienation through a Dialogical Conception of Music Education
Gary Spruce, The Open University, United Kingdom

19. Informal Learning as a Catalyst for Social Justice in Music Education
& Flavia Narita, Universidade de Brasília, Brazil, & Lucy Green, London Institute of Education, United Kingdom

20. Musical Creativity and 'the Police': Troubling Core Music Education Certainties
Panagiotis Kanellopoulos, University of Thessaly, Athens, Greece

21. Music Education and Social Reproduction: Breaking Cycles of Injustice
Ruth Wright, Western University, Canada

22. The Imperative of Diverse and Distinctive Musical Creativities as Practices of Social Justice
Pamela Burnard, Laura Hassler, Lis Murphy, & Otto de Jong, University of Cambridge, United Kingdom

23. Music Teachers' Repertoire Choices and the Quest for Solidarity:
Opening Arenas for the Art of Living with Difference
Sidsel Karlsen, Hedmark University College, Sweden, & Heidi Westerlund, Sibelius Academy, Finland

24. Youth Empowerment and Transformative Music Engagement
Susan O'Neill, Simon Fraser University, Canada

25. You Gotta Fight the Power: The Place of Music in Social Justice Education Gloria Ladson-Billings, University of Wisconsin, United States

Section IV. Toward Social Justice Pedagogy: Problems and Opportunities
Introduction-Rethinking the Ways We Engage with Others. Section Editor, Gary Spruce

26. Social Justice in the English Secondary Music Classroom
Chris Philpott with Jason Kubilius, University of Greenwich, United Kingdom

27. Hospitable Music Making: Community Music as a Site for Social Justice
Lee Higgins, Boston University, United States

28. Social Justice and Urban Music Education
Rubén Gaztambide- Fernández & Leslie Stewart-Rose, University of Toronto, Canada

29. Social Justice and Music Technology in Education
Paul Louth, Youngston State University, United States

30. Music First and Last: Developing a Socially Just Pedagogical Approach to Music Education with Technology.
Jonathan Savage, Manchester Metropolitan University, United Kingdom

31. Rescuing Choral Music from the Realm of the Elite: Models for Twenty-first Century Music-Making-Two Case Illustrations
André de Quadros, Boston University, United States

32. Music Education Assessment and Social Justice: Resisting Hegemony Through Formative Assessment
Martin Fautley, Birmingham City University, United Kingdom

33. Critical Reflection for Social Justice and Inclusion in Music Education.
Carolyn Cooke, The University of Aberdeen, United Kingdom

34. Can Music Teaching be a Powerful Tool for Social Justice?
John Sloboda, The Guildhall School of Music and Drama, United Kingdom

Section V. Social Justice in Practice: Examples of Educational Projects from Beyond
the Schools and Around the World
Introduction-Description, questions, and challenges for researchers. Section Editor Paul
Woodford

35. Behind Different Walls: Restorative Justice, Transformative Justice, and Their Relationship to Music Education
Mary Cohen, University of Iowa, & Stuart Paul Duncan, Yale University, United States

36. Relationship, Rescue, and Culture: How El Sistema Might Work.
Eric Shieh, Metropolitan Expeditionary Learning School, United States

37. Negotiating Gender, Popular Culture, and Social Justice in Music Education
Joseph Abramo, University of Connecticut, United States

38. Music Education and the Invisible Youth: A Summary of Research and Practices of Music Education for Youth in Detention Centers.
Maud Hickey, Northwestern University, United States

39. Music: An Alternative Education in the South African Freedom Struggle
Sheila C. Woodward, Eastern Washington University, United States

40. New Faces in Old Spaces: Mexican American Musical and Music Equity within the Music Curriculum
Amanda Soto, University of Idaho, United States

41. The Intersection of Music Teacher Education and Social Justice: Where Are We Now?
Julie Ballantyne & Carmen Mills, The University of Queensland, Australia

42. Striving for justice with determination and hope: An epilogue
Janet Barrett, University of Illinois, United States

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