
Supervision of Music Therapy: A Theoretical and Practical Handbook
by Odell-Miller; HelenBuy New
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Summary
Table of Contents
Contributors | p. vii |
Preface to the series and this book | p. x |
Acknowledgements | p. xii |
Introduction | p. 1 |
The history and background of supervision in music therapy | p. 5 |
Whose handicap? Issues arising in the supervision of trainee music therapists in their first experience of working with adults with learning disabilities | p. 23 |
Music therapy supervision with students and professionals: the use of music and analysis of countertransference experiences in the triadic field | p. 45 |
Two's company, three's a crowd: hatred of triangulation in music therapy, and its supervision in a forensic setting | p. 67 |
Getting better: some thoughts on the growth of the therapist | p. 83 |
Music therapy supervision with trainees in adult psychiatry | p. 101 |
Supervision in context: a balancing act | p. 119 |
Supervision of music therapists working with children in schools | p. 135 |
Turbulence at the boundary | p. 153 |
Supervision of PhD doctoral research | p. 173 |
Index | p. 193 |
Table of Contents provided by Ingram. All Rights Reserved. |
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