Teaching Contemporary British Cinema

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Format: Paperback
Pub. Date: 2005-05-18
Publisher(s): British Film Institute
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Summary

The recent development of British cinema provides a fascinating area of study, with a variety of film styles--from the representation of social issues to star-led romantic comedies. Through detailed case studies, suggested schemes of work, and student activities, this teaching guide illustrates the different approaches to teaching British cinema. The guide includes * The theoretical contexts to the study of British cinema, explained in an accessible style through summaries of key thinkers * Questions of funding, distribution, and exhibition * Case studies exploring the developments in themes and style of British cinema since 1990, focusing on social realism (examples include Dirty PrettyThings, Last Resort, In This World); British Asian cinema (examples include My Son the Fanatic, Bend it Like Beckham); and British cinema and institutions (examples include the films of Richard Curtis)

Author Biography

Sarah Casey Benyahia is Lecturer in Film and Media Studies.

Table of Contents

Introduction to the series 1(3)
Introduction
4(19)
Assessment contexts
4(4)
Getting started: Teaching contemporary British cinema
8(9)
How to use this guide
17(1)
Scheme of work 1: Developments in realism
18(2)
Scheme of work 2: British cinema and representations of national identity
20(3)
Background
23(20)
What is British cinema for?
23(1)
The role of the Film Council
24(4)
Representation
28(1)
Ideology
29(2)
National identity
31(3)
British film abroad
34(4)
Realism and British cinema
38(5)
Case studies
43(41)
Case study 1: Social realism since 1990
43(16)
Case study 2: British Asian cinema
59(15)
Case study 3: British cinema and institutions
74(10)
Glossary 84(2)
Filmography 86(3)
Bibliography 89(2)
Further reading and useful websites 91(1)
Acknowledgements 92

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