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Table of Contents
|Backstory: A Decidedly Odd Tale of What Happened
|When Hollywood Killed Vaudeville, Postcards Boomed, and the United States Invaded Mexico Seductive Hallucination
|An Interstice. Being the First of Several Summary Interruptions of the Drearily Semantic in Favor of the Deliciously Semiotic, a Frontera of Sorts
|Hallucinations of Miscegenation and Murder: Dancing along the Mestiza/o Borders of Proto-Chicana/o Cinema with Orson Welles's Touch of Evil
|When Electrolysis Proxies for the Existential: A Somewhat Sordid Meditation on What Might Occur if Frantz Fanon
|Her Name at the Tex[t]-Mex Beauty Parlor
|Autopsy of a Rat: Sundry Parables of Warner Brothers Studios, Jewish American Animators, Speedy Gonzales, Freddy Loacute;pez, and Other Chicano/Latino Marionettes Prancing about Our First World Visual Emporium
|Lupe Veacute;lez Regurgitated; or, Jesus's Kleenex: Cautionary, Indigestion-Inspiring Ruminations on "Mexicans" in "American" Toilets Seductive Hallucination
|An Interstice the Second. Being a Second Archive of Visual Pathogens
|XicanOsmosis: Frida Kahlo and Mexico in the Eyes of
|Conclusion: (with apologies to
|Table of Contents provided by Publisher. All Rights Reserved.
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