Foreword |
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11 | (1) |
Introduction |
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12 | (8) |
Part One: Music in African Life |
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African and African American Lamellophones: History, Typology, Nomenclature, Performers, and Intracultural Concepts |
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20 | (38) |
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West Africa: When the Xylophone Speaks |
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58 | (10) |
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African Traditional Musical Instruments in Neo-African Idioms and Contexts |
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68 | (10) |
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Ritual, Lore, and Music in the Pre-Islamic Vai Funerary Sequence |
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78 | (12) |
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Ingolole: Then We Shall See |
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90 | (8) |
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The Fulbe Fiddle in The Gambia: A Symbol of Ethnic Identity |
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98 | (16) |
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Jacqueline Cogdell DjeDje |
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The Luna Drum as Social Mediator among the Dagbamba of Ghana |
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114 | (10) |
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Make Army Tanks for War into Church Bells for Peace: Observations on Musical Change and Other Adaptations in Ethiopia during the 1990s |
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124 | (10) |
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Part Two: Africa and the Diaspora: Cross-Cultural Influences |
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The Lyre of the Arab Gulf: Historical Roots, Geographical Links, and the Local Context |
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134 | (6) |
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``Tum Up the Volume!'' The African Aesthetic in Trinidad's Carnival Music |
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140 | (18) |
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The Voice of Ginen: Drums in Haitian Religion, History, and Identity |
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158 | (12) |
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The African Legacy: The Use of Music and Musical Instruments in the Candomble Religion of Salvador da Bahia, Brazil |
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170 | (12) |
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Ethnomusicology and the Study of Africanisms in the Music of Latin America |
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182 | (4) |
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Reflections on Eli Owens's Mouth-Bow: African American One-Stringed Instrumental Traditions and Their African Backgrounds |
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186 | (8) |
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Africa and Jazz: The Melo-Rhythmic Essence of Warren ``Baby'' Dodds |
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194 | (16) |
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Musical Collages of Sound: Technologizing the Band in the Rap Music Tradition |
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210 | (10) |
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The Introduction as Signature: An Analysis of Western Musical Instruments in Chimurenga, Mbaqanga, and Motown |
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220 | (10) |
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The Role of the Gumbe in Popular Music and Dance Styles in Sierra Leone |
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230 | (6) |
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Christian Dowu Jayeola Horton |
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Part Three: Catalog |
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236 | (102) |
Notes to the Text |
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338 | (12) |
References Cited |
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350 | |