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Summary
Author Biography
Table of Contents
List of Figures | p. vii |
Notes on the Contributors | p. ix |
Acknowledgements | p. xii |
Introduction | p. 1 |
Dress and Adornment | p. 9 |
Women and their Jewels | p. 11 |
Fanny's Pockets: Cotton, Consumption and Domestic Economy, 1780-1850 | p. 31 |
'Changing her gown and setting her head to rights': New Shops, New Hats and New Identities | p. 52 |
Women and Sculpture | p. 69 |
Sculpting in Tiaras: Grand Duchess Maria Fedorovna as a Producer and Consumer of the Arts | p. 71 |
Pride and Prejudice: Eighteenth-century Women Sculptors and their Material Practices | p. 86 |
A Female Sculptor and Connoisseur: Artistic Self-fashioning and the Exposure of Connoisseurship, Collecting and Concupiscence | p. 103 |
The Material Culture of Empire | p. 117 |
'The Taste for Bringing the Outside in': Nationalism, Gender and Landscape Wallpaper (1700-1825) | p. 119 |
Taihu Tatlers: Aesthetic Translation in the China Trade | p. 134 |
White Slavery: Hannah More, Women and Fashion | p. 148 |
Women and Books | p. 161 |
Reinstating the 'Pamela Vogue' | p. 163 |
The Book as Cosmopolitan Object: Women's Publishing, Collecting and Anglo-German Exchange | p. 176 |
'Books without which I cannot write': How Did Eighteenth-century Women Writers Get the Books They Read? | p. 192 |
Select Bibliography | p. 213 |
Index | p. 217 |
Table of Contents provided by Ingram. All Rights Reserved. |
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